Showing posts with label inspiration. Show all posts
Showing posts with label inspiration. Show all posts

Monday, November 19, 2012

Elizabeth Porcher Jones Stationery

This stationery designed by Stitch Design Co. for calligrapher Elizabeth Porcher Jones is so lovely! The type is beautiful, and I really like the colors.


I wouldn't have thought of pairing light turquoise and navy blue, but it's an interesting and classy combination.


I like the way this stationery looks refined but also modern.


What do you think?


HT: Design Work Life

Tuesday, November 6, 2012

#GoVote

Some great design here from the #GoVote campaign. I'll be voting today!



HT: Design Work Life

Tuesday, October 30, 2012

Adrian Johnson: Camera Illustrations

I love these camera illustrations by Adrian Johnson.

No. 1

Vintage cameras are cool to begin with, but I think the interesting color choices and angles make these pieces all the more intriguing.

No. 2
What do you think?

Saturday, October 20, 2012

Andre Meca: London Guide

This London Guide by Andre Meca is fantastic. I love design like that this that uses typography simply and skillfully.


The style is vintage-looking, which adds another interesting element.


Overall, this project provides a guide to London that is unusual, fun, and creative. I'd sure love a copy.


The alphabet theme is also interesting. I love the way all the booklets look when they're in a row—the letters and colors are great!


HT: AisleOne

Wednesday, October 17, 2012

Playtype Posters

I found these type posters by Playtype on Design Work Life, and I love the color combinations, composition, and overlapping letters.


I like the way the letters are oversized; it makes the eye focus more on the aesthetic quality of the type than on what the letters mean, if anything—which is an interesting concept.


And of course the colors in this one are great. Gray and yellow are my favorites!


What do you think of these typography posters?

Tuesday, September 25, 2012

Typographische Monatsblätter Archive

1960 Issue 11

The Typographische Monatsblätter Archive website is a collection of magazine covers from a German design magazine.

1966 Issue 5

There is some stellar design to be seen here; lots of wonderful Helvetica and great composition and layout.

1968 Issue 2

Between its Cover Index and Older Issues pages, this archive holds magazine covers from 1932-1990.

1970 Issue 6/7

The amazing thing is that most if not all of these covers were created without modern computers. The skill and patience of designers of yesteryear amazes me!

1982 Issue 5

And I love how many of these designs still look good today. To me, that's one of the keys to great design. It's not going to go out of style in several decades.

1985 Issue 5

If you'd like, take a look at the whole archive. There are a few covers in the 1970's that I wouldn't endorse, but besides that, most of them are very innocent and type-based.

1987 Issue 5

HT: Grain Edit

1989 Issue 5

Sunday, September 23, 2012

Penguin Drop Cap Series

Jessica Hische and Paul Buckley collaborated on this project for Penguin: a collection of classic books with Jessica's drop caps on the covers. I love this idea. Jessica's amazing lettering and classic titles are just the perfect combination!




More images available at Design Work Life. What do you think of this collection?

Friday, August 31, 2012

Guilherme Dultra Villar Identity

I saw this identity on FPO and thought it was simply wonderful. The color combination, use of white space, clean & simple style, and especially the concept behind it all just make me think "wow."


Guilherme Dultra Villar created his identity by spelling out his first name phonetically. This is a memorable, unusual concept that works just right with his name. Somehow I don't think "care-ree" would work quite as well as a branding strategy.


But for Guilherme, it works phenomenally. And in addition to the concept, the design aspect of this collection of materials is simply wonderful. The high contrast between the gray and yellow is marvelous (and you have probably gathered that I love gray and yellow). I also love how "bare bones" this design looks. It's simple but not boring; sometimes, less is more, and that is certainly the case here.


This design just works. It does the job in a memorable, beautiful way. What do you think?

Wednesday, August 15, 2012

Design Tip: Never Use Black

I saw this link, with the title above, on Swiss Miss, and I was intrigued. Never use black in design? What's that supposed to mean? Is that even possible?


But when I read Ian Storm Taylor's article on this topic, I began to get it. The black he's saying not to use is pure, stark black. He explains that blacks with color hues mixed in are more natural in design and actually more realistic. Who knew?

This idea of avoiding pure black had never occurred. Actually, I've always tried to use pure black and grays that are straight black and white because I thought they were cleaner and brighter. I'll definitely have to consider adding some color to my blacks and grays.

Monday, August 6, 2012

House Industries Catalog

Several months ago, I came across House Industries and their free catalogs. It looked cool, so I signed up. Time passed, and I kind of forgot about it. But then one day, I got this in the mail.


It's a type catalog. And it's so cool. This was free? I'd almost pay for it.




I love the fun, vintage colors and all the wonderful typefaces featured in this catalog.




I'd highly recommend signing up for House Industries' free catalog. And guess what? They give you free fonts, too.

Friday, August 3, 2012

Bill Brown: The Camera Collection

I found Bill Brown's Camera Collection on ShareSomeCandy, and I really like this project. I always find it interesting to observe designers' "side projects," and this is one very creative one. Bill did 100 pixelated illustrations of cameras and equipment and offers them online for download under a Creative Commons license.


I really love looking at all the different styles of cameras, and the pixelated effect gives them a distinct look. Here are a few I like:





To see more of Bill's project, visit his Camera Collection page. I am not familiar with his other work, so I'm not necessarily recommending it, but I know that the camera collection is pretty cool!

Do you have a favorite of Bill's illustrations?

Sunday, July 29, 2012

Hello Again (And Some Fun Packaging)

I know it's been quite awhile since I posted, but my life has been a little crazy. I moved 600 miles to a new city this month and also got a new computer (a Mac!). So in all that transition, I haven't gotten around to blogging.

But I'm back today with a little something to share. I saw this candy packaging on Lovely Package and thought it was just that—lovely!

Don't you think it is? I just love the cursive typography, the glass jars, and the bright-colored tags.
 And the yellow lids are so wonderful! I love the bright color pop they bring.
What do you think of this packaging?

Wednesday, July 18, 2012

Botanicadiet

I ran across this packaging on Lovely Package, and at first I didn't know what it was for. I just thought it was cool-looking.


But it's for a diet! What do you know? I guess this is like the Nutrisystem of Spain? I almost want to go on this diet just because of the graphics.



I love the textured paper that the boxes are made out of; the earthy, vintage colors; and especially the wonderful, transparent, layered type. 




The overall look of this packaging is just lovely. It's simple, creative, and memorable. I love it.




What do you think of Botanicadiet's packaging?

Monday, July 16, 2012

Artist Spotlight: Bryan Patrick Todd


I really like Bryan Patrick Todd's colorful, typography-rich design work. To start with, his logo is really nice. The custom initial is really well done, and I love the bright color.



This mural he did for the outside of a store is really excellent. I love seeing design so big like this. The typefaces he chose give the whole design a very cheerful look.


I really like this album cover he did for a split EP album that two different artists collaborated on. There's continuity between the two different designs, but the two colors distinguish the artists as well.


The black and white inside cover is pretty cool, as well. I like the way he stylized the pictures of the musicians.


I like the detail of this type treatment Bryan did. It's Akidenz Grotesk (an early sans serif font) with lots of fun colors, shadows, and outlines. It has a very vintage feel to it, I think.


Do you like Bryan's work too? Is there one of his pieces you like best?

HT: Share Some Candy